54th Week of Slovenian Drama

Based on the trilogy by Ivan Mrak (1906–1986) – The Old Roman, 1939; Sons of the Old Roman, 1941; The Annihilation of the Romans, 1945 – and other writings by Ivan Mrak, Keith Lowe and Irene Stratenwerth

The Mrakiad

Slovenian National Theatre Drama Ljubljana

Crew

Adapted by: Tibor Hrs Pandur, Nina Rajić Kranjac

Director: Nina Rajić Kranjac

Dramaturg: Tibor Hrs Pandur

Set designer: Urša Vidic

Costume designer: Marina Sremac

Composer: Branko Rožman

Choreographer: Tanja Zgonc

Language consultant: Tatjana Stanič

Light designer: Borut Bučinel

Assistant director: Jaka Smerkolj Simoneti

Assistant dramaturg (student): Brina Jenček

Assistant set designer: Luka Uršič

Cast

Tina Vrbnjak

Janez Škof

Nina Ivanišin

Jurij Zrnec

Rok Vihar

Benjamin Krnetić

Nina Valič

Barbara Cerar

Jure Henigman

Marko Mandić

Tamara Avguštin as guest

Gregor Baković

Saša Pavček

Veronika Drolc

Maja Končar

Pia Zemljič

Zvezdana Mlakar

About the performance

The production is 3 hours and 45 minutes long and has two intervals.

"You were born to protest and to oppose [...] and suddenly you find yourself facing a fact that does not need your defiance and your revolts. You have got used to trembling before something invisible, before power, and suddenly, you have nothing to tremble before anymore. It is as if the meaning of your life disappeared alongside with power. [...] And you, who dislike and cannot understand some false hierarchy, and, in your simplicity, you see things as they are, who have not and do not want to realise that life is built on interests only, you will step aside, and you will die like a dog. Stand aside, you who refuse to understand the law of the majority!" Ivan Mrak, A page torn from the diary of a fifteen-year-old

"Any serious attempt to find something important in the dramatic corpus is commendable, and this production highlights some of Mrak’s characters or establishes them as full dramatic heroes. The guilt-laden uprightness of the Old Roman, the complete amorality of the broker Beštr or the rebellious non-participation in the social economy, such as Ferdi’s actions, are definitely attitudes and personalities that should be remembered and written into the social memory. So we’ve got more than exuberant proof that Mrak’s words can be spoken and played. That is why this performance – it is fitting and just that it is in the central national theatre Drama – really deserves an epic title." Petra Vidali, Večer, 17 March 2023

Photo gallery

The Mrakiad <em>Photo: Peter Uhan</em>
Photo: Peter Uhan
The Mrakiad <em>Photo: Peter Uhan</em>
Photo: Peter Uhan
The Mrakiad <em>Photo: Peter Uhan</em>
Photo: Peter Uhan
The Mrakiad <em>Photo: Peter Uhan</em>
Photo: Peter Uhan
The Mrakiad <em>Photo: Peter Uhan</em>
Photo: Peter Uhan
The Mrakiad <em>Photo: Peter Uhan</em>
Photo: Peter Uhan
The Mrakiad <em>Photo: Peter Uhan</em>
Photo: Peter Uhan
The Mrakiad <em>Photo: Peter Uhan</em>
Photo: Peter Uhan
The Mrakiad <em>Photo: Peter Uhan</em>
Photo: Peter Uhan
The Mrakiad <em>Photo: Peter Uhan</em>
Photo: Peter Uhan

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