Based on the trilogy by Ivan Mrak (1906–1986) – The Old Roman, 1939; Sons of the Old Roman, 1941; The Annihilation of the Romans, 1945 – and other writings by Ivan Mrak, Keith Lowe and Irene Stratenwerth
The Mrakiad
Slovenian National Theatre Drama Ljubljana
Schedule
03.04.2024 | at 19:00 | Slovenian National Theatre (SNT) Drama, Ljubljana |
Crew
Adapted by: Tibor Hrs Pandur, Nina Rajić Kranjac
Director: Nina Rajić Kranjac
Dramaturg: Tibor Hrs Pandur
Set designer: Urša Vidic
Costume designer: Marina Sremac
Composer: Branko Rožman
Choreographer: Tanja Zgonc
Language consultant: Tatjana Stanič
Light designer: Borut Bučinel
Assistant director: Jaka Smerkolj Simoneti
Assistant dramaturg (student): Brina Jenček
Assistant set designer: Luka Uršič
Cast
Tina Vrbnjak
Janez Škof
Nina Ivanišin
Jurij Zrnec
Rok Vihar
Benjamin Krnetić
Nina Valič
Barbara Cerar
Jure Henigman
Marko Mandić
Tamara Avguštin as guest
Gregor Baković
Saša Pavček
Veronika Drolc
Maja Končar
Pia Zemljič
Zvezdana Mlakar
About the performance
The production is 3 hours and 45 minutes long and has two intervals.
"You were born to protest and to oppose [...] and suddenly you find yourself facing a fact that does not need your defiance and your revolts. You have got used to trembling before something invisible, before power, and suddenly, you have nothing to tremble before anymore. It is as if the meaning of your life disappeared alongside with power. [...] And you, who dislike and cannot understand some false hierarchy, and, in your simplicity, you see things as they are, who have not and do not want to realise that life is built on interests only, you will step aside, and you will die like a dog. Stand aside, you who refuse to understand the law of the majority!" Ivan Mrak, A page torn from the diary of a fifteen-year-old
"Any serious attempt to find something important in the dramatic corpus is commendable, and this production highlights some of Mrak’s characters or establishes them as full dramatic heroes. The guilt-laden uprightness of the Old Roman, the complete amorality of the broker Beštr or the rebellious non-participation in the social economy, such as Ferdi’s actions, are definitely attitudes and personalities that should be remembered and written into the social memory. So we’ve got more than exuberant proof that Mrak’s words can be spoken and played. That is why this performance – it is fitting and just that it is in the central national theatre Drama – really deserves an epic title." Petra Vidali, Večer, 17 March 2023